All John Henry Twachtman Oil Paintings

American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,
 

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John Henry Twachtman End of Winter oil on canvas


End of Winter
End of Winter
Painting ID::  30856
  mk68 Oil on canvas Washington Smithsonian American Art. c.1889 USA
  mk68 Oil on canvas Washington Smithsonian American Art. c.1889 USA

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John Henry Twachtman Arques la Bataille oil on canvas


Arques la Bataille
Arques la Bataille
Painting ID::  31701
  mk75 1885 Huile sur toile:152.4x200.3cm
  mk75 1885 Huile sur toile:152.4x200.3cm

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John Henry Twachtman The White Bridge oil on canvas


The White Bridge
The White Bridge
Painting ID::  32038
  mk77 Mid-1890s Oil on canvas 30 1/4x30 1/4in
  mk77 Mid-1890s Oil on canvas 30 1/4x30 1/4in

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John Henry Twachtman Meadow Flowers oil on canvas


Meadow Flowers
Meadow Flowers
Painting ID::  39098
  mk140 circa 1892 Oil on canvas 84.6x56.3cm
  mk140 circa 1892 Oil on canvas 84.6x56.3cm

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John Henry Twachtman Hemlock Pool oil on canvas


Hemlock Pool
Hemlock Pool
Painting ID::  39300
  mk146 ca.1900
  mk146 ca.1900

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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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